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This research work is a reworking of a video that was shown as a SIGNIF reel at Motion Plus Design Tokyo 2024.
By incorporating the unique silhouettes of ceramics and sculpture as motifs for motion graphics, we aimed to achieve both a graphical image and a tactile feeling clean coldness and craftlike warmth.
The overall structure of the work, which progresses in an intertwining sequence of multiple patterns, is a motion graphics analogy of the production process of ceramics, from the chaos before the shape is determined, to the determination of the shape, to the change of material through firing.